wie die zeit hinter mir her
by HANS HASSLER - accordion solo
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
You will get the CD-booklet (as PDF-file) with liner notes and photos as bonus, if you buy the whole album.Purchasable with gift card$12 USD or more
1. |
Wohin?
03:18
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2. |
Einerlei – Zweierlei?
05:42
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3. |
Wozu – und wieso nicht?
02:49
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4. |
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5. |
Calanda
05:10
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6. |
Benigna
04:09
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7. |
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8. |
Spitziges Zeug
03:16
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9. |
Die Sanduhr ohne Sand
01:19
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10. |
Disput – aber oho!
07:52
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11. |
Die zweieckige Krone
05:20
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12. |
Nähmaschinen-Boogie
03:59
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13. |
Akkordämon
01:40
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14. |
Ach so!
00:35
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15. |
about
Intakt CD 288
Hans Hassler, born 1945 in Graubünden, East Switzerland, is the true Swiss king of accordion. Hassler inspires the listener with his playful virtuosity, a good sense of humour and a musi- cal imagination without borders.
For Hans Hassler, performing on a variety of stages, to return to the studio as a soloist means adding something significant to anything which has already been played. It doesn’t necessarily have to be new or different; it has to be substantial. Hans Has- sler has retained something of the originality of his playing. He combines this elemental, physical and spontaneously deployed music-making power with a finely tuned sense for artistic form. Appropriately enough for this two-handed instrument, this often involves a dialogue across the spectrum between heavenly descant and droning lowlands. There are ethereal lone notes and powerful clusters of tones, and altogether a great deal of dynamics, scurrility, humour, drama and thoughtfulness. That, if we wish to name it, is Hassler music.
Hans Hassler, born 1945 in Graubünden, East Switzerland, is the true Swiss king of accordion. Hassler inspires the listener with his playful virtuosity, a good sense of humour and a musi- cal imagination without borders.
For Hans Hassler, performing on a variety of stages, to return to the studio as a soloist means adding something significant to anything which has already been played. It doesn’t necessarily have to be new or different; it has to be substantial. Hans Has- sler has retained something of the originality of his playing. He combines this elemental, physical and spontaneously deployed music-making power with a finely tuned sense for artistic form. Appropriately enough for this two-handed instrument, this often involves a dialogue across the spectrum between heavenly descant and droning lowlands. There are ethereal lone notes and powerful clusters of tones, and altogether a great deal of dynamics, scurrility, humour, drama and thoughtfulness. That, if we wish to name it, is Hassler music.
credits
released October 20, 2017
Hans Hassler: Accordion Solo
All compositions by Hans Hassler. Recorded 2016, by Willy Strehler at Studio Klangdach, Guntershausen, Switzerland. Mixed 2017, by Hans Hassler and Willy Strehler. Mastered by Willy Strehler. Cover art and graphic design: Jonas Schoder. Liner notes: Bert Noglik. Photo: Francesca Pfeffer. Produced and published by Intakt Records, Patrik Landolt.
Hans Hassler: Accordion Solo
All compositions by Hans Hassler. Recorded 2016, by Willy Strehler at Studio Klangdach, Guntershausen, Switzerland. Mixed 2017, by Hans Hassler and Willy Strehler. Mastered by Willy Strehler. Cover art and graphic design: Jonas Schoder. Liner notes: Bert Noglik. Photo: Francesca Pfeffer. Produced and published by Intakt Records, Patrik Landolt.
license
all rights reserved
tags
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